I’ll be the first to admit that the Star Wars ‘prequel trilogy’ had issues (*cough* Jar Jar *cough*). But one thing, which certainly inspired me, when I saw the first one back in 1999, was the splendour, intricacy, and (perhaps uncomfortable) beauty of Queen Amidala’s wardrobe. 13-year-old Sophie spent quite some time that summer, drawing elaborate costumes, imagining herself the costume designer on the next round of Star Wars film, if they were ever to be made.
Now they are a reality, but I am working at Moesgaard Museum, not on the set of Episode IX – yet that does not mean that I do not get to spend my time surrounded by clothes, which might come straight out of Star Wars. But in fact it is the other way around: I am surrounded by the clothes on which Queen Amidala’s wardrobe was based.
Last week, the new special exhibition ‘On the Steppes of Genghis Khan: Mongolia’s Nomads’ opened here at Moesgaard Museum. Among the many wonderful artefacts, borrowed from the Danish National Museum, are a number of women’s garbs, and some of them look decidedly ‘Star Warsian’. Take the woman in the picture above. She is dressed in the style of the Khalkh Mongols, and in the accompanying text, the elaborate headdress is explained:
“There is a myth that the Khalkh Mongols were the fruit of a love affair between a nature spirit and a cow: the cow suckles the first Khalkh Mongol and gives them a love of animals and the nomadic life. The married woman’s cow-horn hairstyle is a reminder of this nomadic heritage. Sumptuous hair ornaments hold her coiffure in place, which is styles with sheep fat. The costumes were worn by an upper-class woman and are inspired by fashion in the 17th century: long sleeved dell (traditional Mongolian coat) with cuffs formed like horse’s hooves, a sleeveless waistcoat and boots with upturned toes”.
Whether the costume designers of Queen Amidala thought much about the nomadic heritage and cow-myths of the Khalkh people I do not know, but there is no doubt that they were inspired by the aesthetics of these beautiful garbs. See for example this costume, which Queen Amidala wears to the Galactic Senate on Coruscant:
There is no denying the similarity between the costume and the Khalkh garb. If we look at other Khalkh women’s headdresses, the similarity is even more striking. Here is one example from the 1920s:
The mix of movie magic, imagination, and solid handcraft that goes into costume- and set design has always fascinated me. And the more I explore the material culture of various people from all over the world, the more I recognise how my favourite fantasy- and sci-fi movies draws their inspiration from just such material cultures. And it also goes to show that you do not need to go to a ‘galaxy far, far away’ or indeed to the movies, to see spectacular and beautiful things. You just need to visit a museum.
Do you want to know more about the wonderful Mongolian collections? Visit the exhibition ‘On the steppes of Genghis Khan – Mongolia’s nomads’ at Moesgaard Museum, or read Christel Braae’s fascinating and richly illustrated book Among Herders of Inner Mongolia: The Haslund-Christensen Collection at the National Museum of Denmark (2017).
Photo credit on main image: Foto/medie Moesgaard Museum – Søren Vestergaard